This is the tale of the
mafia in the US, spanning two generations from the 1920s. In Italy,
the mafia sprung up as a sort of grass-roots political movement to
protect the interests of locals from foreign invaders. It was thus an
alternative government, an alternative social order with its own
systems of laws and punishments. Typical of its culture was the idea
of
omerta or silence, not talking to strangers and especially
the police. Transported to America by Italian immigrants, the mafia
also became an alternative secret society distrustful of the wider
society. Several mafia families sprung up in New York and across the
States, each headed by a “Don” that operated through a layer of
people in carrying out activities both legitimate and often criminal
and illegitimate. Each don had his
consigliere, the
highest-ranking officer in the family that assisted and advised him
and issued his orders to the people below; and then one or more
caporegimes, men that headed armies of men for the purposes of
waging war, or carrying out specific assignments. These families of
mafia secret societies flourished because they were able to buy
favors from important members of the bigger society, like judges and
politicians. And they employed often violent means to get their
points across and promote their businesses: If persuasion failed they
resorted to physical assault, arson or even professional killers.
The
Godfather is Don Vito Corleone, an Italian immigrant from Sicily.
So called because—as head of the mafia political unit called the
Corleone Family—he lives a life of dishing out favors to people (of
Italian descent). Such as helping someone in need of money, either
giving cash directly or getting a bank to give a loan; or getting a
judge to give a favorable ruling or even withdrawing an unfavorable
one; or having more appropriate justice dished out to injured people
when the regular justice system fails to do so; or even getting a
shy-lock landlord to re-admit an evicted poor tenant. But all these
favors put one in debt to him, and so should be prepared to render
some needed service to him in future. Corleone’s consigliere
is Tom Hagen, unusual for the post in that he is not of Sicilian or
even Italian descent. His two caporegimes are Tessio and
Clemenza.
The story opens with
instances of how the services of a don become necessary: A trial of
two young men that physically assaulted a young woman, their being
set free because one had a father in a powerful position; a declining
musical legend whose boss is denying a desired role in a new movie;
an Italian boy in love with his baker boss’ daughter but in danger
of being deported to Italy. All these go to see The Godfather,
and he helps them out one by one. He is able to do this through his
personal army of violent men or his contacts in high places in the
bigger society. We are then taken through an odyssey of his rise in
America, the lives of his children, and life in Italy where one had
fled to escape being murdered by the mafia. Officially, his family is
into the business of olive oil imports. But more lucrative is the
organized gambling they control. They compete for spheres of
influence in the city of New York with other Italian mafia families.
When he is shot and bed-ridden in hospital, his first son Santiano
takes over the running of the family, waging war against the
offending families, until he is gunned down to death. The youngest
son Michael that has kept aloof from the family business, finally
gets involved, and he is the one to shoot down the masterminds
wanting his father dead. Then he has to flee to hide in Sicily,
coming back years later to take up the leadership of the family.
While in hiding in
Sicily, Michael realizes that the mafia system bred mediocrity:
People that were not qualified for professional positions got there
on the whims of the local mafia don. So when he takes over from Vito
as the head of the Corleone family, he decides his children would not
follow after him and his father, but would enter the broader American
society carrying out solely legitimate business and work, but of
course retaining the insurance of political and financial power the
family has amassed over the years. But first, he must consolidate the
family’s power and influence, and relocate them to Nevada to take
up the more legitimate business of casino and hotel operators.
Shortly after The Don dies from a heart attach, he leads a campaign
that saw the elimination of the heads of two other families and his
own sister’s husband that had been instrumental to Santiano’s
ambush. Realizing this brutal part of her husband, Michael’s wife
is suddenly driven to the Catholic faith as the only way of still
remaining with him, to go to church daily to pray for his soul, just
like she observed his own mother doing for the soul of his late
father.
In telling this tale
the author was probably frank in mentioning the racial prejudices
against blacks by the Italian mafia families and probably most
Italian Americans at the time (1930s to 1940s). To them, blacks were
of no account having allowed “society” to keep them down for so
long; they were drug addicts and criminals that did not value their
wives, family or children. And I guess this story was the genesis (or
a good part of it) of titles and terms popularly used now, especially
by musicians, like The Don, Don Corleone, Godfather.
Some Nigerian radio personalities now bear these names.
January 13, 2015. Review
initially written in 2010. Novel first published in 1969, this Signet
edition being published in 1978, ISBN 0-451-16771-6.